FACIAL [Re] COGNITION

“Facial [Re] Cognition, Excerpts from The Null Archive: Ways of Seeing/Ways of Becoming/A Personal History of Photography and Cinema in an Everyday Life,” is a small part of a larger durational performance that was started in 2017. It will manifest as a 10 year archive … More FACIAL [Re] COGNITION

e/crit-s

e / Crit – s is an exhibition that asks the question, what does it mean to “inscribe”  when technological mediation has inverted and encrypted contemporary language?  What emerges is not a singular portrait of crisis, but a network of interpretations of memory, metaphor, and conjecture … More e/crit-s

The Sonification Metaphor in Instrumental Music and Sonification’s Romantic Implications

The sonification metaphor is not limited to electronic sound synthesis and computer music, but can be applied to instrumental music as well. The relation of sonification to program and experimental music is discussed and works … More The Sonification Metaphor in Instrumental Music and Sonification’s Romantic Implications

self<not>self

The spark that ignited the idea for “self<not>self” was lit by Hirokazu Kosaka’s visiting artist lecture at CalArts in 2022. During that lecture, Hirokazu presented a collection of calligraphy brushes whose bristles were made from his son’s hair. The lecture prompted an “ah ha” moment for me, a sudden realization … More self<not>self