Volker Straebel
The sonification metaphor is not limited to electronic sound synthesis and computer music, but can be applied to instrumental music as well. The relation of sonification to program and experimental music is discussed and works by Iannis Xenakis, Karlheinz Stockhausen, John Cage and Alvin Lucier are briefly introduced. The paper leads to a discussion of the connection between sonification and romanticism, where the desire is to directly evoke an understanding of natural phenomena.
Read The Sonification Metaphor in Instrumental Music and Sonification’s Romantic Implications
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